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Less than a two-hour drive north of Bodrum, these three
Ionian cities are close enough together to visit all in one day. Priene
lies in a spectacular setting, perched on a cliff above the Meander
River. Miletus still has an impressive theatre, and Didyma's Temple of
Apollo still inspires awe.
Priene, although estimated to have had no more than
3,000 residents around 300 BC was nevertheless important as a site for
Ionian congresses and festivals. The Meander River wound through the
plain below, eventually depositing enough silt to close up the harbor.
Because of this the Romans refrained from building here when they
conquered the area, so what remains are unusually Hellenistic (Greek)
ruins.
The streets of Priene were laid out in a deliberate grid,
a precursor to modern city design. Priene's ruins are among the most
attractive on Turkey's west coast. Conspicuous by their absence is the
immense Roman structures so familiar at other sites. Priene's buildings
are small and intimate, a feeling, which pervades the entire setting.
The
ruins include the once exquisite Temple of Athena, destroyed by an
earthquake in the middle ages. Only the foundation and five
reconstructed columns remain of these textbook example of temple design.
The Temple was in fact the model for a book on design by its architect
Pytheos. His book was still a classic in Roman times. Attractive smaller
buildings at the site include the council house, complete with altar
used for sacrifices before each city council meeting, and the Sanctuary
of Demeter, the Earth Mother, and her daughter, Core, where sacrifices
were made to the gods of the underworld.
Once the greatest of the Ionian cities, Miletus also
lost its harbor to silt. The site is now nearly eight kilometers from
the sea, which still retreats at the rate of six meters a year. Its
large harbor was a great commerce center of the Greek Empire, figuring
predominantly in Roman times as well. Famous sons of Miletus include the
sage Thales, whose dictum 'Know thyself was inscribed on the Temple at
Delphi, Anaximenes, who discovered in air, ether, the supposed substance
of the universe and Anaximander, who produced the first map of the world.
Today Miletus' most notable feature is its Graeco-Roman
theatre. Originally built by Greeks to seat 5,300, its capacity was
nearly tripled by the Romans. The fortification has enabled the theatre
to remain nearly intact.
While most visitors see only the theatre before moving
on, the rest of Miletus is well worth investigating. A climb up the
hillside above the theatre provides a spectacular view of the fertile
plain which once was sea. Visible from here are two pieces of white rock
about 1150 meters apart. These were once marble lions guarding the
entrance to the harbor.
The city's ruins include a harbor monument adorned with
carvings of marine life on one side and a half-man, half-fish triton on
the other. Also uncovered are the remarkably well-preserved Baths of
Faustina, erected by the wife of Marcus Aurelius, which include a
headless but otherwise exquisite reclining statue.
Ancient Didyma was not a city, but rather the home of
the God Apollo. Only priests were allowed entry here to consult the
oracle in the great Temple of Apollo. The site served as a divine
sanctuary at least as early as the 10th Century B.C Priestesses of
Delphic origin fasted here for three days, then inhaled sulfur fumes
until they entered a supposed state of divine inspiration. Their
ramblings were then translated by priests into prophecies.
The site continued to issue predictions via pries
throughout several centuries. In 300 B.C construction began on the
Temple of Apollo and continued for the next 500 years. Of the temple's
original 120 columns 103 have been set up again. Some remain unadorned,
evidence that the temple was never completed. Didyma and other oracles
eventually fell victim to Christianity's scorn for pagan prophecies. The
final assault at Didyma was the erection of a Christian chapel in the
holiest part of the Temple of Apollo.
This temple impresses visitors today with its size and
the painstaking reconstruction by French and German teams. A sacred road,
used for religious processions, leading to the temple was once lined
with statues, but Sir Charles Newton sent these to the British Museum in
1858. The temple has an elaborate bust of Medusa. The nearby remains of
Greek and Roman houses and a stadium have also been uncovered.
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